A single sculptural form lit from above in a dark gallery room, its shadow falling long across the floor

Sample project

A quieter shape

Installation, Melbourne

A monolithic textured stone slab with an angled top on a black plinth, raked by warm light against a dark wall

A quieter shape

Installation

Melbourne

Exploring the tension between weight and silence, this work considers the spaces we hold and the forms we leave behind.

Sample project wall labels (title in italics, medium, place) for the studio to replace with its own work

The project began with a simple question: how little does a form need to say before a room falls quiet around it? We answered by taking things away. Fewer pieces, more space between them, and light that arrives slowly rather than all at once.

Each piece was placed so that the visitor meets it alone. The walls stay dark, the floor carries the shadow, and the form is left to hold its own weight. Nothing competes for attention, so the looking can take its time.

We treat every project as an exhibit: it gets space around it, careful light and enough time to be seen properly.

Given room, given light

The project, one room at a time. Move down the page and the light moves with you.

The form seen from one side, a narrow band of light tracing its edge

The first approach. Seen side on, the form is almost a line.

A close view of the material surface, its texture caught in low light

Material, close. The surface keeps the marks of how it was made.

A visitor standing at a distance from the form in a mostly dark room

Distance. The room is sized so that the work is met, not passed.

The empty room after the light has dimmed, the form only just visible

After. What stays is the shape of the space it held.

Untitled Studio

Many rooms, one studio

We work across art and design, and let each project decide its medium.

Identity, Exhibition design, Installation, Print and publishing, Moving image

A bluestone laneway in Melbourne at night, wet stones under a single lamp

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